Artikelnummer | SON00001991 |
Componist | Oleg Boyko |
Duur | 10:00 min |
Genre | Minimal music, Contemporary, Solowerk |
Instrumentatie | Akoestische (klassieke) gitaar, Akoestische gitaar educatief |
Offert par Sonolize, Ofrecido por Sonolize, Oanbean troch Sonolize.
Unusual Studies
Artikelnummer | SON00001991 |
Componist | Oleg Boyko |
Arrangeur | |
Genre | Minimal music Contemporary Solowerk |
Instrumentatie | Akoestische (klassieke) gitaar Akoestische gitaar educatief |
Vrije omschrijving | A collection of studies on different types of technic of various levels of complexity |
Moeilijkheidsgraad | 3 |
Duur | 10:00 min |
Jaar | 2021 |
Program Notes
A collection of studies on different types of technic of various levels of complexity
What is their «singularity»?
The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer’s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training.
When it comes to the “singularity”, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio).
- learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training.
- active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio.
- using the high positions of the guitar’s fingerboard with open strings without excessive physical effort .
- rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing.