Product ID | SON00000041 |
Composer | Eduard de Boer |
Duration | 17:00 min |
Genre | Classical |
Instrumentation | Symphony orchestra, Symphony orchestra with soloist |
Offert par Sonolize, Ofrecido por Sonolize, Oanbean troch Sonolize.
Concerto for contrabass and orchestra
SKU | SON00000041 |
Composer | Eduard de Boer |
Arranger | |
Genre | Classical |
Instrumentation | Symphony orchestra Symphony orchestra with soloist |
Free description | Contrabass and symphony orchestra |
Grade | 5 |
Duration | 17:00 min |
Year | 2019 |
Program Notes
Contrabass and symphony orchestra
Free PDF material for the orchestra that will give the premiere. Instead of purchasing it here, please contact the composer directly at hallo[at]eduarddeboer.org.
With this contrabass concerto a wish dating from my student years has become reality. Henk Guldemond, at the time leader of the Concertgebouw Orchestra’s contrabass section, invited me to discuss with him the possibilities of the contrabass and of a concerto for this instrument. In the end, this didn’t amount to anything, but the idea remained in the back of my head; together with the intention to start a future contrabass concerto with a piccolo solo.
More than 25 years after this conversation, the idea was realized after all. I suggested writing a concerto for contrabass and wind orchestra to contrabassist Peter Leerdam – at the time a fellow student of mine – and to conductor Sef Suylen and wind orchestra ‘Sint Jan’ from the Dutch town of Wierden. The idea was received so favourably, that a commission could be realized, owing to great efforts on the part of Sint Jan’s and to benevolent grants from the Rabobank Noord-West Twente , the foundation for amateur music ‘De Kunstfactor – Unisono’ and the foundation ‘De Noaber van Wierden’.
The composition is in one movement and largely monothematic. The music has been cast into a sonata form, with a short Adagio inserted between the exposition and the development and a cadenza for the solo instrument halfway the recapitulation. I made grateful use of a number of ideas and suggestions of Peter Leerdam.
In April of 2019, I took some time off in order to transcribe the concerto for contrabass and symphony orchestra. I used the opportunity to improve some bridge passages at the same time.